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<channel>
	<title>michielsoete</title>
	<link>https://michielsoete.net</link>
	<description>michielsoete</description>
	<pubDate>Sun, 21 Jun 2026 11:36:19 +0000</pubDate>
	<generator>https://michielsoete.net</generator>
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	<item>
		<title>spaghetti western</title>
				
		<link>https://michielsoete.net/spaghetti-western</link>

		<pubDate>Sun, 21 Jun 2026 11:36:19 +0000</pubDate>

		<dc:creator>michielsoete</dc:creator>

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		<description>


SPAGHETTI WESTERN
&#60;img width="2208" height="1218" width_o="2208" height_o="1218" data-src="https://freight.cargo.site/t/original/i/6401e6c2e6ed512059b6e917509bfc320e8e98332e60e2d5fa6ceaa918c32f64/spaghetti-western.png" data-mid="249673533" border="0" data-scale="98" src="https://freight.cargo.site/w/1000/i/6401e6c2e6ed512059b6e917509bfc320e8e98332e60e2d5fa6ceaa918c32f64/spaghetti-western.png" /&#62;
	light + scenography2026

Met Spaghetti Western laten spelers en theatermakers Aurelie Di Marino, Renée Goethijn, Femke Stallaert, Michiel Soete, Oscar Briou, Edoardo Ripani, Oxana Sankova, Atta Nasser, Nona Buhrs, Roel Faes, Paola Bartoletti, Yuni Mahieu, Giovanni Barcella, Kaat Arnaert, Tomas Pevenage en Anthony Chang zich inspireren door het gelijknamige Italiaanse filmgenre, de kritische variant van de klassieke Amerikaanse Western, die eind jaren 60 hoogtij vierde. 

Tussen vuile borden, lege flessen en kapotgeschoten glazen ontvouwt zich een wereld van cowboys, outlaws, helden en antihelden. Iemand wordt de kop ingeslagen, zomaar. Christus' kruis wordt in flarden geschoten en met de brokstukken ontstaat er een tweegevecht. Vertrekkend uit een proloog vol geweld en clichés bevraagt Spaghetti Western de hypocrisie van het nieuw imperialistisch westers beleid. Een satirische en episch-historische deconstructie van onze (zogenaamd) naoorlogse geschiedenis.
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	<item>
		<title>AFK</title>
				
		<link>https://michielsoete.net/AFK</link>

		<pubDate>Sun, 21 Jun 2026 10:58:20 +0000</pubDate>

		<dc:creator>michielsoete</dc:creator>

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AFK
&#60;img width="1746" height="1310" width_o="1746" height_o="1310" data-src="https://freight.cargo.site/t/original/i/635a7702b75b10591cd8ae3525483537c307f1b3afedd67d5c40e0dc4abe44ee/afk.png" data-mid="249673192" border="0" data-scale="98" src="https://freight.cargo.site/w/1000/i/635a7702b75b10591cd8ae3525483537c307f1b3afedd67d5c40e0dc4abe44ee/afk.png" /&#62;
	light design + technician2026

AFK is a circus performance, a glitched world where (non)humans play with norms and your senses. Sofie Anny Nicea Velghe and Camille Paycha invite you to experience the interplay of exposure and haunting- transformation through a choreography of visual trickery AFK (Away From Keyboard). 

The performers embrace their multiple selves, welcoming the ghosts hovering around, to refuse essentialism and hold space. For the making of this piece, Sofie and Camille are inspired, on the one hand, by Indigenous Brazilian philosopher Ailton Krenak, more specifically his book Ideas to postpone the end of the world. Krenak argues that our world is ending not only through environmental collapse but also through a loss of imagination and collective care. On the other hand, the makers are inspired by Cyberfemnism, a self-reflexive term where technology is not only the subject but its means of transmission. It is all about feedback. Sofie and Camille are thus making a bridge to beter explore the political power of what could seem contradictory sources of knowledge, to give space to a different virtuosity.
concept, regie 
Sofie Anny Nicea Velghe &#38;amp; Camille Paycha
 with &#38;amp; by&#38;nbsp;Majo Cazares, Alice Davies, Maya Mertens, Oriana Mangala Ikomo Wanga, Sofie Anny Nicea Velghe, Camille Paycha&#38;nbsp;
live music Oriana Mangala Ikomo Wanga&#38;nbsp;
technical creation Michiel Soete, Vivi Focquet&#38;nbsp;
distribution&#38;nbsp;Pascaline Van den Hooff produced byBoegbeeld vzw 
coproduction De Grote Post – Oostende; Miramiro – Gent; Circuswerkplaats Dommelhof; PERPLX – Kortrijk project supported by the Flemish government typography titel by Thaïs Cuny from BBB

more info: boegbeeld.be
</description>
		
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	<item>
		<title>iedereen meeuw (2)</title>
				
		<link>https://michielsoete.net/iedereen-meeuw-2</link>

		<pubDate>Sun, 21 Jun 2026 10:49:37 +0000</pubDate>

		<dc:creator>michielsoete</dc:creator>

		<guid isPermaLink="true">https://michielsoete.net/iedereen-meeuw-2</guid>

		<description>


IEDEREEN MEEUW (2)
&#60;img width="1936" height="1290" width_o="1936" height_o="1290" data-src="https://freight.cargo.site/t/original/i/5cd615b1ac67dc56e889527b48c9bee57fe99adb1a4ec3ad02d0e42a558af556/iedereen-meeuw-2.png" data-mid="249673182" border="0" data-scale="99" src="https://freight.cargo.site/w/1000/i/5cd615b1ac67dc56e889527b48c9bee57fe99adb1a4ec3ad02d0e42a558af556/iedereen-meeuw-2.png" /&#62;
	regie2026

premiere in 2027
Een opera die schreeuwt om protest! Waar vrijheid vleugels krijgt,satire snavels,de meeuw preekt,en de mens wordt gefileerd... In 2024 toonde kleinVerhaal voor het eerst een stukje van deze opera ván en vóór het volk.Tien sociaal-artistieke huizen, verspreid over Brussel en Vlaanderen, mobiliseerden hun achterban.De groep groeide uit tot ruim 100 spelers, schrijvers, muzikanten, ontwerpers en koks. Na het eerste toonmoment op TAZ#25, komt Iedereen Meeuw! met een tweede worp naar TAZ#26. De echte première is voor 2027!Een bende verdwaalde zielen valt uit de lucht. In welk nest zijn ze nu beland en wie zijn die vreemde vogels die daar aan tafel op hen wachten? Aan het hoofd een zelfverklaarde aanvoerster en haar rechterhand, ze ruiken naar gevaar! In een wereld vol rattenstront en koude soep borrelt al snel protest op: “De organisatie moet overboord, de toekomst is van ons!” Boven de hoofden hangt echter nog iets groots te wachten, met veren en een rotkarakter…CREDITSLibretto: Fikry El AzzouziCompositie: Peter VermeerschRegie: Michiel SoeteMuziekcoaches: Bart Maris &#38;amp; Yamen MartiniSpelcoach: Camille PaychaKostuum: Maartje van BourgognieScenografie: Giovanni VanhoenackerGrafisch atelier: Geert OpsomerVideo: Bárbara JarqueGeluid: Sam SerruysOrkest en stemmen: 
Jan Oelbrandt, Olga Groppo, Aldo De La Rosa, Jeroen Van Renterghem, Franky Barbaix, Clea Parcerisas, Johan Lingier, Donatella Sala, Annelies Bos, Zurab Sujashvili, Ageeba Kromah, Tom Dewulf, Antoon Kindekens, Tove Verstrepen, Jan Machielsen, Micha Celis en Cinzia Heather VillanuevaSpelers: 
Marijke Dejaeghere, Marino Coolsaet, Jules Rethy, Ahmad Bouchi, Raf Berth, Tine Bevers, Saskia Jacobs, Martine Van Rensbergen, Hanifi Özcan, Inge Goovaerts, ...Koor: Stadskoor K o.l.v. Diederik GlorieuxDit project is een samenwerking tussen kleinVerhaal, Unie Der Zorgelozen, De Figuranten, Wit.h, Bij' De Vieze Gasten, Cie Tartaren, Madam Fortuna, TransfoCollect, Atelier Leon, Studio Denkbeeld, De Beelderij, Yellow Art, KAOS vzw en cc De Grote Post.

foto:&#38;nbsp;Diana Takacsova

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	<item>
		<title>latecomers</title>
				
		<link>https://michielsoete.net/latecomers</link>

		<pubDate>Wed, 10 Jun 2026 10:29:42 +0000</pubDate>

		<dc:creator>michielsoete</dc:creator>

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LATECOMERS
&#60;img width="1954" height="1304" width_o="1954" height_o="1304" data-src="https://freight.cargo.site/t/original/i/a799bf5c0aeeeb114115313df73079c90a88d5a1c7a1478ecce596431384ed7f/latecomers4.png" data-mid="249306523" border="0" data-scale="98" src="https://freight.cargo.site/w/1000/i/a799bf5c0aeeeb114115313df73079c90a88d5a1c7a1478ecce596431384ed7f/latecomers4.png" /&#62;
	actor, lightdesigner2026


Together with the solidarity restaurant Cassonade, Decoratelier—a workshop for set builders and artists—is temporarily housed in an abandoned factory in Molenbeek, on heavily polluted land. A layer of concrete prevents oil, chemicals, and heavy metals from infiltrating the daily lives of the local residents. The municipality of Molenbeek is planning to make a park there: everything that’s being built inside Decoratelier today will disappear under a thick layer of healthy soil. Are the history and invisible stories of this place also in danger of disappearing?

Together with the caretaker, Cassonade’s chefs, local residents and visitors, the builders at Decoratelier set about the work like true archaeologists. As “latecomers”, they’re constructing a space in which to reflect on historical pollution and collective responsibility. They are unravelling the past and speculating about future ecosystems, lifeforms, and ways of living. Through structures and stories, they seek a way to share their concerns and desires with future generations. Can a society be built on top of its own mistakes? The Latecomers is a site-specific performance in which a community searches for the meaning of a place, inviting the audience to explore this strange landscape of stories.
Artistic direction: Jozef Wouters&#38;nbsp; Dramaturgy: Jeroen Peeters 
Technical coordination: Menno Vandevelde Created with and built by Decoratelier: Jeff Verschueren, Barry Ahmad Talib, Zoher Boumelha, khalda el jack, Fairuz Ghammam, Alice Deleu, Pauline Arnould, Michiel Soete, Chloé Tempelhof, Joran De Roover, Mona Bonnevalle, Vic Van den Bossche 
In collaboration with Cassonade: Naila, Mariam, Lina, Fatima Zahra, Rasmina, Aïcha, Fatiha, Naziha, Ibrahima, Mohamed, Mehdi, Luay 
Sound design: Anne van de Star 
Video: Fairuz Ghammam, Sander Tas Costumes: Sofie Durnez, Lila John 
Light design: Michiel Soete 
Technical crew: Remco Wuyts, Jamy Hollebeke, Ruben Wolfs/Thibault Rottiers Stand-in: Vincent Focquet, Marie Umuhoza Outside eye: Sodja LotkerProduction: Damaged Goods
Coproduction: Kunstenfestivaldesarts, Kaaitheater, PerpodiumWith the support of the Flemish Community, the Flemish Community Commission and the Tax Shelter of the Belgian Federal Government via BNPPFFF &#124; Many thanks to Kunstencentrum VIERNULVIER, the Summerbirds, coreatelier
photos: ILlias Teirlinck
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		<title>morsen</title>
				
		<link>https://michielsoete.net/morsen</link>

		<pubDate>Mon, 08 Jun 2026 09:14:01 +0000</pubDate>

		<dc:creator>michielsoete</dc:creator>

		<guid isPermaLink="true">https://michielsoete.net/morsen</guid>

		<description>


MORSEN
&#60;img width="910" height="1302" width_o="910" height_o="1302" data-src="https://freight.cargo.site/t/original/i/ce42f30af3d4fc78b002455a361b30673cc0cf5acfcd142c8a15ab8f9e78fdda/Screen-Shot-2026-06-08-at-11.15.01.png" data-mid="249232637" border="0"  src="https://freight.cargo.site/w/910/i/ce42f30af3d4fc78b002455a361b30673cc0cf5acfcd142c8a15ab8f9e78fdda/Screen-Shot-2026-06-08-at-11.15.01.png" /&#62;
	regie2026

Een wereld waarin alles perfect moet zijn. Vlekkeloos&#38;nbsp;Elke actie is er een zonder fouten.&#38;nbsp;Eenduidig en transparant. Wat je ziet, is wat je krijgt.

Tot er plots een scheur komt. Een vlek. Een fout&#38;nbsp;En het hele kaartenhuis stort in.Maar wat als er in die vlek net een mogelijkheid zit&#38;nbsp;Een kans om opnieuw te beginnen?

Morsen is een voorstelling over vlekken maken, durven knoeien, blijven klungelen, altijd proberen.&#38;nbsp;Over de durf om buiten de lijntjes te kleuren.

Een voorstelling die de angst toont om te morsen en de spanning van een pas gemaakte vlek. Maar ook een ode aan de kracht van verbinding en het samenbrengen van nieuwe perspectieven. Of hoe je een nieuw inzicht kan ontdekken op de meest onverwachte plek.

regie Michiel Soetespel en creatie Betty Gilbert,&#38;nbsp;Cinzia Heather Villanueva, Doke Dilen, Karen Desloovere,&#38;nbsp;Kristel Wildiers, Lydia Diels,&#38;nbsp;Martine Van Rensbergen, Raissa Verdicktartistieke ondersteuning Kirsten Mariënkostuums Laurence Baeyensproductie Maja Hammeneckertechniek Ferre Perdieusproductie-ondersteuning Kiran Van Dyck
Een productie van Cie Tartaren, coproductie Perpodium vzwmet de steun van de Belgische taxshelter via Cronos Invest.
foto’s Yuri van der Hoeven

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</description>
		
	</item>
		
		
	<item>
		<title>alles onder de hemel</title>
				
		<link>https://michielsoete.net/alles-onder-de-hemel</link>

		<pubDate>Mon, 08 Jun 2026 09:07:04 +0000</pubDate>

		<dc:creator>michielsoete</dc:creator>

		<guid isPermaLink="true">https://michielsoete.net/alles-onder-de-hemel</guid>

		<description>


ALLES ONDER DE HEMEL
&#60;img width="1028" height="808" width_o="1028" height_o="808" data-src="https://freight.cargo.site/t/original/i/56703911ad4db5b371f607b91f958f9b4fc335f91b68bb31b3b6eb847173ab9d/Screen-Shot-2026-06-08-at-11.10.27.png" data-mid="249232526" border="0"  src="https://freight.cargo.site/w/1000/i/56703911ad4db5b371f607b91f958f9b4fc335f91b68bb31b3b6eb847173ab9d/Screen-Shot-2026-06-08-at-11.10.27.png" /&#62;
	regie2026

Een voorstelling waarin VRT-journaliste Veerle De Vos en Sarah Yu Zeebroek samen op zoek gaan naar de diepere verbinding tussen China en het Westen. Ze nemen je mee op een tijdreis naar de 17de eeuw, waarin Ferdinand Verbiest, een Vlaamse wetenschapper en jezuïet, dankzij zijn uitzonderlijke kennis toegang kreeg tot de inner circle van de Chinese keizer. Maar zijn pad was vol obstakels: hofintriges en spanningen met Rome zetten zijn missie voortdurend onder druk.

“Alles onder de hemel” brengt het meeslepende, maar grotendeels vergeten verhaal van de eerste echte ontmoeting tussen China en het Westen weer tot leven. Wat waren de gevolgen van deze historische confrontatie? Welke rol speelden vrouwen in deze ‘mannenwereld’? En hoe relevant zijn Verbiests ervaringen in een tijd waarin China opnieuw een machtige wereldspeler is?

Laat je meeslepen door dit bijzondere verhaal en ontdek hoe verleden en heden elkaar kruisen. In deze voorstelling verweeft Sarah Yu Zeebroek haar muzikale en grafische talent met het historische verhaal van Veerle de Vos. Samen doorprikken ze de clichés waarmee we in het Westen vaak naar China kijken. Met muziek, geschiedenis en cultuur als leidraad, laat deze boeiende voorstelling zien hoe we China, toen en nu, beter kunnen begrijpen.

foto’s Ivan Put
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</description>
		
	</item>
		
		
	<item>
		<title>holy</title>
				
		<link>https://michielsoete.net/holy</link>

		<pubDate>Mon, 08 Jun 2026 08:57:14 +0000</pubDate>

		<dc:creator>michielsoete</dc:creator>

		<guid isPermaLink="true">https://michielsoete.net/holy</guid>

		<description>


HOLY
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	technician, stage2026

A sensory journey into the sacred, full of ritual, reflection and freedom
At the crossroads of theatrical and musical practices, Martha Canga Antonio researches HOLY, a sensory experience that explores the sacred as a state of being in constant reinvention. Moving through different spaces collectively, performers and audiences alike explore different ways of being together. Neither fully a concert nor entirely a performance, HOLY creates a space that is at the same time personal and collective - where audiences shed frameworks, certainties, and images of self to allow inner lights &#38;amp; echos to emerge.

WRITTEN &#38;amp; DIRECTED Martha Canga AntonioCONCEPT - Martha Canga Antonio + Marie Umuhoza x Vivi FocquetARTISTIC PRODUCTION &#38;amp; DRAMATURGY - Marie Umuhoza x Vivi FocquetSCENOGRAPHY - Jozef Wouters/DecoratelierSOUND CREATION - Ashley Morgan x Martha Canga AntonioCAST - Martha Canga Antonio , Ashley Morgan , Lazara Rosell Albear , Jhaya Caupenne ,&#38;nbsp;Jazz Sanusi , Magdelaine Hodebourg , Rose SamyTECHNICAL DIRECTION - Michiel SoeteLIGHT DESIGN - Ines IsimbiARTISTIC &#38;amp; VOCAL ADVICE - Junior AkwetyCOSTUME DESIGN - Godwin AgossahHAIR DESIGN - Axelle HusikamaPRODUCTION ASSISTANCE - Harmonie TackSCENOGRAPHICAL FABRIC - Lila JohnIMAGES &#38;amp; ARCHIVES - Maryan Sayd, AD.mp4COPRODUCTIONS - DE SINGEL , Ancienne Belgique , Viernulvier , Decoratelier,WorkspacebrusselsRESIDENCIES - La Bellone , Volta , Kunstenwerkplaats , Zinnema, GC De VaartkapoenPREVIOUS CAST - Hubert Tuyishime, Kenza De Nolf, Christie Dinganga, Alex Perry, ZaydanTHANKS TO - Shamisa Debroey , Sékou Semega, Joyce Jenny Loir, and other

pictures&#38;nbsp;Maryan Sayd
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</description>
		
	</item>
		
		
	<item>
		<title>bingo night</title>
				
		<link>https://michielsoete.net/bingo-night</link>

		<pubDate>Mon, 08 Jun 2026 08:47:06 +0000</pubDate>

		<dc:creator>michielsoete</dc:creator>

		<guid isPermaLink="true">https://michielsoete.net/bingo-night</guid>

		<description>


BINGO NIGHT
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	performer2025

bingo night at decoratelier


Days to Pass By
Decoratelier opens its doors for the second edition of Days to Pass By. During this winter festival, we present the artistic projects of our residents and the spatial experiments that took place on the site this autumn. For two weekends (13-14 en 20-21 December), art, music and food come together in the solidarity restaurant&#38;nbsp;Cassonade, which is transformed into a unique performance space.

pictures by Mantra Watsa

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</description>
		
	</item>
		
		
	<item>
		<title>today</title>
				
		<link>https://michielsoete.net/today</link>

		<pubDate>Mon, 02 Mar 2026 17:46:53 +0000</pubDate>

		<dc:creator>michielsoete</dc:creator>

		<guid isPermaLink="true">https://michielsoete.net/today</guid>

		<description>


TODAY - it’s a circus happening
&#60;img width="1386" height="924" width_o="1386" height_o="924" data-src="https://freight.cargo.site/t/original/i/f56a1b4fcbc823dca91d221cb5bddbbd3e6bc8fc7e080f7fce0782ba0628c7a3/Screen-Shot-2026-03-02-at-18.49.48.png" data-mid="245539709" border="0" data-scale="97" src="https://freight.cargo.site/w/1000/i/f56a1b4fcbc823dca91d221cb5bddbbd3e6bc8fc7e080f7fce0782ba0628c7a3/Screen-Shot-2026-03-02-at-18.49.48.png" /&#62;
	licht en techniek2025

Today takes inspiration from the genre of happenings from the 1960s. You could see it as an orchestrated version of life: a collage of various pre-scripted but unrehearsed actions that unfold before the audience’s eyes. Interestingly, this strict structure of simple actions creates space for spontaneity and the unexpected.

Using art to structure life into more or less predictable actions—and in doing so, finding ways to embrace the unexpected—is precisely what appeals to Side-Show about this art form. We see happenings as a way to structure our environment so we can come together with a diverse audience, creating a meaningful shared experience.

In Today, everything begins with context. The very first happening took place when Allan Kaprow organized a picnic on a friend’s farm in 1957. We draw inspiration from that familiar context of a picnic. The audience gathers on a giant picnic blanket, chatting, and perhaps there’s even something to eat. Someone plays the piano continuously. Scattered across the picnic blanket, two circus artists perform a series of actions based on their own practices.

How can we make a happening relaxed? The form itself already offers important tools: the scores on which they are based provide an important foothold to the public and were also passed on to the public in advance in the sixties. The openness to surprise also ensures that the audience does not have to be quiet and motionless. Just like the happenings of the past, we leave the codes of the arts behind for a moment in an attempt to make togetherness and spontaneity possible for everyone. In a way, Today goes&#38;nbsp; a step further than Permit. This time, the boundaries between the actions of the performers and those of the audience are more porous. Life and theatre merge in the form of a picnic. 

Concept and direction Aline Breucker &#38;amp; Quintijn Ketels Performers Jessica Fanhan, Ségolène Neyroud, Shu-Huan Chang, Camille BekkersScenography and costumes Aline BreuckerChoreography Quintijn KetelsMusic Ségolène Neyroud Dramaturgy Vincent FocquetExercise advice German JaureguiAssistance costumes Oanell Muzellec, Irma Morin Technical coordination and light design Michiel SoeteTechnicians Korneel Moreaux, Remco Wuyts, Lukas VanhoutteProduction Thibaut Princen Photography Jan Castermans 



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	<item>
		<title>cracks in the wood</title>
				
		<link>https://michielsoete.net/cracks-in-the-wood</link>

		<pubDate>Mon, 08 Jun 2026 08:37:30 +0000</pubDate>

		<dc:creator>michielsoete</dc:creator>

		<guid isPermaLink="true">https://michielsoete.net/cracks-in-the-wood</guid>

		<description>


CRACKS IN THE WOOD
&#60;img width="1380" height="1092" width_o="1380" height_o="1092" data-src="https://freight.cargo.site/t/original/i/2d6cfd7716faa1e495198e9c1fe320aac7b5a7dae39cc68f67763ce8e3a808e1/Screen-Shot-2026-06-08-at-10.40.31.png" data-mid="249231127" border="0"  src="https://freight.cargo.site/w/1000/i/2d6cfd7716faa1e495198e9c1fe320aac7b5a7dae39cc68f67763ce8e3a808e1/Screen-Shot-2026-06-08-at-10.40.31.png" /&#62;
	lichtontwerp2025

In Cracks in the Wood brengt Maria Madeira een terugblik op haar bewegingsgeschiedenis. Op de klanken van zelfgeschreven liedjes deelt ze fragmenten van wat haar lichaam kan en wat haar lichaam zich herinnert. In dit ontroerende zelfportret verstrengelen choreografie en geluidscompositie zich via tapdans, ballet, acrobatiek en songwriting.
concept &#38;amp; uitvoering Maria Madeira
muziekcompositie Thijs Van Scharen &#38;amp; Maria Madeirafdramaturgie Alice Van der Wielen-Honinckx
coach tapdans Bára Hrebackova
choreografisch advies Jeanne Colin
extern oor Stijn Dickel/Aifoon
kostuumontwerp Leen Stoffels
scenografie Timme Afschrift
lichtontwerp Michiel Soete
geluidstechnicus Sander Stuer
muziekmix Helicopter Studio - Mathieu Grillo met speciale dank aan Eliane Heijnen, Hendrik Van Maele, Arno de Bock, Manon Verplancke, Bianca Steck, Detail Company, deRUIMTE

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